![]() To support the Guardian and Observer order your copy at. The Creative Act: A Way of Being by Rick Rubin is published by Canongate (£25). I will strive to make the ecstatic my compass, and see how that goes. I’m now off to replace my own scarcity mindset with one of abundance. It’s sensible to raise an eyebrow when Rubin, that most commercial of producers, claims to disregard commerce in the service of art. Until, that is, these are just the prompts you need to hear, when you need to hear them. To a cynical reader, The Creative Act might feel like a series of self-actualising niceties. Make the loud bits quiet, and the quiet bits loud, and see what happens. Listening back to a piece of music through speakers is better than listening on headphones. Once past these generalities, which may well be revelatory to someone who has not met them before, useful strategies do bubble up, both granular and philosophical. Being famous is not as great as it’s cracked up to be. Nothing is real, our consciousness just creates projections. Home About Journal Get in Touch Surgeon simulator video Biff wiff rick rubin. Powered by Create your own unique website with customizable templates. ![]() Choose this theme to customize and add content to this page. So, yes: cultivate a beginner’s mind, keep your antennae tuned to “the Source” 24/7, go for a walk. Biff wiff rick rubin Wcyb tv news center 5 dopbucket. And likewise to some, this book will read as a series of cagey California new age nostrums that bolster the Rubin brand.īut to others, particularly creatives in need of a spur – or anyone in proximity to a client, or loved one, approaching a deadline – The Creative Act has just the right level of confident loftiness to provide succour and useful ways of recontextualising problems. Does the artist stick to their guns or compromise? The answer seems to be that it depends on the situation. That can be a particularly tricky circle to square. He is equally big on letting go of ego in the quest for a fuller flourishing of the work. Having “a practice” is a good idea, he says. Later, however, he advises actively embracing some limitations, Dogme-style, before once again placing the artistic life as a higher calling that should be unbounded by rules of any kind, particularly the self-limiting voices in the artist’s own head. He counsels the artist to live a life that questions all limitations. Read through in toto, Rubin’s advice can occasionally seem contradictory. The tone is gnomic and epigrammatic, and Rubin’s elevation of artistic endeavour to the highest status of human achievement reverberates with a solemn quasi-religiosity – one befitting a hardback with a fabric bookmark – that is hard to square with his ballsy production work on Jay-Z’s epic banger 99 Problems. That’s not to say that Rubin is unoriginal or indeed wrong, only that occasionally, these 400-odd pages can read a little like “ the 73 unexpected practices of successful creatives”. Photograph: Lisa Haun/Getty ImagesĪnyone with a passing familiarity with Buddhism, management theory or the self-help shelf will also find plenty that feels familiar in Rubin’s modus operandi.
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